Oktober 2017
13.10.2017 -
29.10.2017
2017 / 201710 / Ausstellung
Martina-Sofie Wildberger
I WANT TO SAY SOMETHING

Tobias Bienz, Denise Hasler, Martina-Sofie Wildberger
 
21.10.2017
2017 / 201710 / Diskussion / Performance / Screening
Guest event: Le Foyer Conversation XLXI
Maria Iorio and Raphaël Cuomo
Appunti del passaggio and an Occasional Accent: Storia di storie

Gioia Dal Molin, Maria Iorio and Raphaël Cuomo
 
26.10.2017 -
29.10.2017
2017 / 201710 / Ausstellung
Corner College at Kunst 17 Zürich (Zurich Art Fair)
Donatella Bernardi
 
27.10.2017 -
29.10.2017
2017 / 201710 / Symposium
trans-local Sympodium
What’s Wrong with Performance Art?

Camille Aleña, Madeleine Amsler, Donatella Bernardi, Linda Cassens Stoian, Delphine Chapuis Schmitz, Voin de Voin, Mo Diener, Heike Fiedler, Gilles Furtwängler, Lia García, San Keller, Elise Lammer, Milenko Lazic, Valerian Maly, Federica Martini, Angela Marzullo, Lou Masduraud, Muda Mathis, Irene Müller, Sibylle Omlin, Denis Pernet, Guillaume Pilet, Nathalie Rebholz, Chris Regn, Dorothea Rust, Andrea Saemann, Pascal Schwaighofer, Dorothea Schürch, Bernadett Settele, Dimitrina Sevova, Axelle Stiefel, Kamen Stoyanov, Katharina Swoboda
 

Friday, 11.10.2013
20:00h

 

Performance
Myriorama
Vianney Fivel, Ceel Mogami de Haas
 


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“Sometimes I don’t know where this dirty road is taking me; sometimes I can’t even see the reason why.”

Townes van Zandt

One could read Martin Heidegger in Townes van Zand’s infamous lines, but also Robert Walser, Paul Celan, Aby Warburg or Mad Max. Myriorama is substantially a paranoiac-critical method, that in the words of Salvador Dali is “a spontaneous method of irrational knowledge based on the critical and systematic objectivity of the associations and interpretations of delirious phenomena». Une affaire de montage, Myriorama reassembles heterogeneous ready-made element and fabricated artefacts, thus proposing an intertwined understanding of the common and the personal as complementary agents. Myriorama leads to no final conclusion; rather, it eventually presents a constant movement of composition and decomposition of the collected material that like the eponymous game offers infinite combinations of the same image. Open to interpretation Myriorama never substitutes experience with commentary.


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If the cap fits, come and wear it!

Posted by Stefan Wagner