Februar 2017
24.02.2017
2017 / 201702 / 201703 / Ausstellung
Theorem 4. Aesthetic Agency and the Practices of Autonomy
Part II: Der Prozess / The Trial

Robert Estermann, Jakob Jakobsen, Lara Jaydha, Jso Maeder, Aya Momose, Josefine Reisch, Saman Anabel Sarabi
 
25.02.2017
2017 / 201702 / Artist Talk / Diskussion
Screening, artist talks, discussion
With Aya Momose, Robert Estermann, Jakob Jakobsen, Jso Maeder, Saman Anabel Sarabi & Josefine Reisch and the curators

Robert Estermann, Jakob Jakobsen, Jso Maeder, Aya Momose, Saman Anabel Sarabi
 
27.02.2017
2017 / 201701 / Curatorial Reading Group
Curatorial Reading Group
Session 2


 

März 2017
02.03.2017
2017 / 201703 / Diskussion / Installation
Temporary video installation The Judgment by Kosta Tonev, presentation and discussion with the artist
Kosta Tonev
 
04.03.2017
2017 / 201703 / Performance
INTERMEZZO (locus solus)
First visit

Jso Maeder
 
11.03.2017
2017 / 201703 / Performance
INTERMEZZO (locus solus)
Second visit

Jso Maeder
 
19.03.2017
2017 / 201703 / Buchvernissage / Finissage
Finissage of Theorem 4. Aesthetic Agency and the Practices of Autonomy
Part II: Der Prozess / The Trial
With a reading from the book Josefine, by Saman Anabel Sarabi / high times

Saman Anabel Sarabi
 

Friday, 11.10.2013
20:00h

 

Performance
Myriorama
Vianney Fivel, Ceel Mogami de Haas
 


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“Sometimes I don’t know where this dirty road is taking me; sometimes I can’t even see the reason why.”

Townes van Zandt

One could read Martin Heidegger in Townes van Zand’s infamous lines, but also Robert Walser, Paul Celan, Aby Warburg or Mad Max. Myriorama is substantially a paranoiac-critical method, that in the words of Salvador Dali is “a spontaneous method of irrational knowledge based on the critical and systematic objectivity of the associations and interpretations of delirious phenomena». Une affaire de montage, Myriorama reassembles heterogeneous ready-made element and fabricated artefacts, thus proposing an intertwined understanding of the common and the personal as complementary agents. Myriorama leads to no final conclusion; rather, it eventually presents a constant movement of composition and decomposition of the collected material that like the eponymous game offers infinite combinations of the same image. Open to interpretation Myriorama never substitutes experience with commentary.


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If the cap fits, come and wear it!

Posted by Stefan Wagner