Oktober 2017
13.10.2017 -
29.10.2017
2017 / 201710 / Ausstellung
Martina-Sofie Wildberger
I WANT TO SAY SOMETHING

Tobias Bienz, Denise Hasler, Martina-Sofie Wildberger
 
21.10.2017
2017 / 201710 / Diskussion / Performance / Screening
Guest event: Le Foyer Conversation XLXI
Maria Iorio and Raphaël Cuomo
Appunti del passaggio and an Occasional Accent: Storia di storie

Gioia Dal Molin, Maria Iorio and Raphaël Cuomo
 
26.10.2017 -
29.10.2017
2017 / 201710 / Ausstellung
Corner College at Kunst 17 Zürich (Zurich Art Fair)
Donatella Bernardi
 
27.10.2017 -
29.10.2017
2017 / 201710 / Symposium
trans-local Sympodium
What’s Wrong with Performance Art?

Camille Aleña, Madeleine Amsler, Donatella Bernardi, Linda Cassens Stoian, Delphine Chapuis Schmitz, Voin de Voin, Mo Diener, Heike Fiedler, Gilles Furtwängler, Lia García, San Keller, Elise Lammer, Milenko Lazic, Valerian Maly, Federica Martini, Angela Marzullo, Lou Masduraud, Muda Mathis, Irene Müller, Sibylle Omlin, Denis Pernet, Guillaume Pilet, Nathalie Rebholz, Chris Regn, Dorothea Rust, Andrea Saemann, Pascal Schwaighofer, Dorothea Schürch, Bernadett Settele, Dimitrina Sevova, Axelle Stiefel, Kamen Stoyanov, Katharina Swoboda
 

Thursday, 17.03.2016
21:00h

 

2016 / 201603 / Performance
Performance {reclaim the twelfth camel} < code of practice
by Alexander Tuchaček

Alexander Tuchaček
 




Performance {reclaim the twelfth camel} < code of practice by Alexander Tuchaček at the opening of the exhibition "No-where? Now-here! The Molecular Books of Life – Colleges of Unreason" on 17 March at 21:00h.

The work {reclaim the twelfth camel} < code of practice is about an attempt to generate language to reappropriate algorithmic space, a space that has gone amiss, got lost or was just plain stolen from us.

To this end, a special animal is led into the room, a camel that is simultaneously text, image, program, narrative and enactment. The work is about a conflict over distribution that ostensibly is resolved well, balancing everything out again. This apparently good solution however throws the relation between text and enactment out of joint. A third figure, the self-executing shell program that decodes itself from the image of the camel, demands to have its say, all the while writing, or prescribing, the story of the twelfth camel. But who is it that speaks the text of the story, and from what position? Might it not be about an utterly different conflict over distribution, about time and space of the narrative, and about the question of who and how can reclaim the redistribution of this space?

A multiplicity of performers in the form of bots, scripts and figures make their appearance. The project starts out on the opening date on 17 March at 21:00h and will be followed during the exhibition by further protagonists and enactments.

Posted by Corner College Collective