März 2018
16.03.2018 -
2018 / 201803 / 201804 / Ausstellung
A proposition by
Donatella Bernardi
for Corner College:
From Abdizuel to Zymeloz

Donatella Bernardi

April 2018
2018 / 201804 / Ausstellung
Event: Donatella Bernardi
From Abdizuel to Zymeloz
A Dependency Relationship: Does Feminism Need Separatism and / or Art?

Donatella Bernardi, Laura Iamurri, Quinn Latimer, Federica Martini, Angela Marzullo

Mai 2018
05.05.2018 -
2018 / 201805 / Ausstellung
Hinterland, Part 1
The eyes of the lighthouse

Cliona Harmey, Monica Ursina Jäger, Salvatore Vitale, VOLUMES
2018 / 201805 / Buchvernissage / website launch
Book + Web Launch
Æther #1: Flughafen Kloten: Anatomie eines komplizierten Ortes


Juni 2018
02.06.2018 -
2018 / 201806 / Ausstellung
Hinterland, Part 2
Blood as a rover

Jürgen Baumann, Gregory Collavini, David Jacques, Tuula Närhinen, Claudia Stöckli, VOLUMES

Thursday, 17.03.2016


2016 / 201603 / Performance
Performance {reclaim the twelfth camel} < code of practice
by Alexander Tuchaček

Alexander Tuchaček

Performance {reclaim the twelfth camel} < code of practice by Alexander Tuchaček at the opening of the exhibition "No-where? Now-here! The Molecular Books of Life – Colleges of Unreason" on 17 March at 21:00h.

The work {reclaim the twelfth camel} < code of practice is about an attempt to generate language to reappropriate algorithmic space, a space that has gone amiss, got lost or was just plain stolen from us.

To this end, a special animal is led into the room, a camel that is simultaneously text, image, program, narrative and enactment. The work is about a conflict over distribution that ostensibly is resolved well, balancing everything out again. This apparently good solution however throws the relation between text and enactment out of joint. A third figure, the self-executing shell program that decodes itself from the image of the camel, demands to have its say, all the while writing, or prescribing, the story of the twelfth camel. But who is it that speaks the text of the story, and from what position? Might it not be about an utterly different conflict over distribution, about time and space of the narrative, and about the question of who and how can reclaim the redistribution of this space?

A multiplicity of performers in the form of bots, scripts and figures make their appearance. The project starts out on the opening date on 17 March at 21:00h and will be followed during the exhibition by further protagonists and enactments.

Posted by Corner College Collective