Nathalie Rebholz, born in 1978 in Athens is an artist living and working in Geneva. A Contemporary Creole, she melts influences and techniques from the fields of psychedelism, sound poetry, domestic and soft skills, meditation, imagination, hallucination of theory, visions, soundscape, estrangement, experimentations, wait, agency, consciousness, sponged lyrics as well as baroque.
Besides holding a bachelor in communication design, specialization in photography (ECAL), and an master in visual arts (HEAD), she has learned from her yoga practice, meditation and shamanic trips, motherhood, as well as from her experience as a curator and gallery owner.
She had solo shows at Placette, Lausanne (2017), Analix in Geneva (2010 + 2005), Galerie J in Geneva (2008), Abstract in Lausanne (2004) and participated in several collective shows: Livinyourhead (2015), New Jerseyy, (2012), Nuke, Paris (2011 et 2006), Rodeo Gallery, Istambul (2010), 1m3, Lausanne (2009), Marres, Mastricht (2007), Fuori 06, Pescara (2006), Maison Européenne de la Photographie (2004) and the Centre Culturel Suisse, Paris (2003).
2017 / 201710 / Symposium
What’s Wrong with Performance Art?
Camille Aleña, Madeleine Amsler, Donatella Bernardi, Linda Cassens Stoian, Delphine Chapuis Schmitz, Voin de Voin, Mo Diener, Heike Fiedler, Gilles Furtwängler, Lia García, San Keller, Elise Lammer, Milenko Lazic, Valerian Maly, Federica Martini, Angela Marzullo, Lou Masduraud, Muda Mathis, Irene Müller, Sibylle Omlin, Denis Pernet, Guillaume Pilet, Nathalie Rebholz, Chris Regn, Dorothea Rust, Andrea Saemann, Pascal Schwaighofer, Dorothea Schürch, Bernadett Settele, Dimitrina Sevova, Axelle Stiefel, Kamen Stoyanov, Katharina Swoboda, Martina-Sofie Wildberger